When we formed Avalanche Press in 1994,
we never really thought through what we would
do with game titles that sold out. There was
some vague notion that this would eventually
happen, but running out of the stacks and
stacks of those first two games seemed a time
that would never come.
Here are the honored games of our past,
that have performed with honor and been retired.
Great War at Sea: Cruiser Warfare
Cruiser Warfare was an unusual game in the Great War at Sea series, with a world-wide area map rather than the operational maps used in every other game. It also had the game rules included in the scenario book rather than the standard series rulebook that every other Great War at Sea game carries, since the operational rules from that book were not used, only the battle rules.
The game was popular, but I was never really satisfied with it from the box cover and map art through the relatively large amount of errata it generated compared to our other games. We’ll likely issue a totally new game on the same topic at some point.
Panzer Grenadier: Beyond Normandy
Beyond Normandy was the first game we produced in the Far East, and if I’d had any sense it would have been the last. The game was delayed in printing and finally ready to leave just in time for the Chinese New Year. So it sat for an extra six weeks before departing. Then it was shipped to Long Beach, California instead of Norfolk, Virginia as specified; it sat for an extra six weeks waiting for its ship to unload (Long Beach was badly clogged) and then two more travelling across the country by truck. No one remembers when a game is late, at least among the consumers (they most definitely rage, but then they forget), but the delays caused all sorts of serious financial distress for the company. When it arrived, we found the playing pieces had been die-cut with enormous force, far more than is required to cut chipboard. They actually look good, but came out very, very thin from the smashing.
The game itself is one of the handful in the Panzer Grenadier line that does not use the standard geomorphic mapboards, but rather “actual terrain” maps that show the area around Hill 112 in Normandy. None of the games that use this “historical” approach have come close to the sales of their generic sisters. So when we ran out of one of the sheets of ultra-thin pieces, it seemed better to just retire the game rather than go through an extensive reprint.
Great War at Sea: Black Waters
This book existed solely to make use of the pieces from the old U.S. Navy Plan Black boxed game (see below); we had probably 1,000 to 1,200 sheets left over when that game went out of print. Using our current technology we could have just brought the game back with a new box wrap and a cardstock map, and made it look much better while doing so, but we didn’t have that option at the time and so I wrote a book instead. It wasn’t a bad book, though not as focused as some of our later efforts. When the supply of extra pieces ran out, it was time to retire the book.
Panzer Grenadier: March on Leningrad
Panzer Grenadier: Siege of Leningrad
These were a pair of “zippies,” as the then-sales manager dubbed the line – comb-bound booklets containing 10 Panzer Grenadier scenarios each. These were both designed by Mike Perryman, and they’re good scenarios. But the presentation is no longer acceptable with the physical upgrades we’re giving to our line of games, so in October 2013 we retired all of the “zippies.” Placed alongside our other products, they’re just not very attractive and look like they were printed on the office printer and bound in the back room. Because they were.
Napoleonic Battles: Austerlitz
Second World War at Sea:
There aren’t that many games I wish we’d never published, but Austerlitz is one of them. It came from a great designer and it’s a very good game for what it is: Rob Markham took on a difficult job and he delivered. But the map art was poor and I should never have sent it to press; the pieces were pretty but hard to use. It did have a very nice box. Napoleonic wargames as a sales category are about as dead as their namesake, so I don’t see us returning to them.
It was the largest game we've ever made, with 630 double-sized ship counters and 1,540 standard-sized pieces plus three maps and acres of charts. It began life as part of our now-defunct Classic Wargames program, and was enough of an event to merit its own Ode as its stockpile dwindled.
While we like to keep our naval games in print, we've had to say goodbye to Leyte Gulf. Giant wargames are even more difficult to fit into the new-model Avalanche Press, where a roster of 15 employees apiece has given way to one of just two.Panzer Grenadier: Airborne (boxed edition)
This game had the unfortunate release date of Sept. 11, 2001. Intended as an introductory game for the Panzer Grenadier series, it wasn't really that so much as just a small game in the Panzer Grenadier series. It was much smaller than the first two (both now out of print) so that helped it some on that front as it had a low price, but it did not show off Panzer Grenadier the way we really needed it to.
Even so, it retired as one of our all-time best-sellers, and we did sell a lot of them in several iterations. The first edition had a hard-mounted game board and an unattractive olive-drab box. The next version had the same unattractive box, but a lightweight game board like those in our current Panzer Grenadier games. And then finally we sold it in an unattractive light green box with the lightweight board.
The game had 165 pieces, but uniquely for the Panzer Grenadier series, that included all of the required markers (it didn't include the generic marker sheet that all other series games receive). Most of the scenarios took place during the airborne landings behind the Normandy beaches in June 1944.
The scenarios changed with the box change, and we replaced the four original scenarios that used pieces from other games with four new ones that, like the other 16, only called for parts already in the box. There is a sharp division among players over this policy: some want to be able to mix their pieces between games and have more scenarios, but others insist that even one scenario out of 50 requiring pieces from another product yields an "incomplete game." Wailing and pants-soiling ensues. And so we have chosen to enforce the Fulda Rule, that every boxed game must be fully playable only with pieces within its box. And then we sell the "crossover" scenarios separately.
We eventually re-issued most of the scenarios, along with the map (we had a huge supply of them) in a book edition.
This game has a fine system, one we've used
since in Alsace 1945, Red God of War, Bitter
Victory, Campaign for Italy and probably
many more to come. It sold out in 2006, with a large print run, so it was very successful. It needs to return to the lineup with new counter artwork, and improved map and a better name. It had a really stupid name, but a very fine price which no doubt aided sales and it's been called the best-playing game of the Battle of the Bulge.
Imperium Third Millennium
Our first space combat game, Imperium was
a licensed version of Marc Miller’s
1977 classic published by GDW. We went a little
overboard with it (see the “Tale of
Obsession”) but it sold very
well and deserves its place in our hall of
honor. Since it was a licensed product, it
won’t be reprinted.
Red Steel: Clash of Armor at KishinevNapoleon in the Desert
Red Steel might have been the best
hard-core wargame design we’ve published
but its unusual topic doomed it to average
sales. The Romanian assault on Bessarabia
may be legendary in Romania, but doesn’t
resonate much in the United States or even
Western Europe. It is one of my favorite game
designs, and even spawned two stillborn sequels:
one smaller one on the Falciu Bridgehead,
one larger one on the siege of Odessa. Those would have been fun to design and publish, but less fun to have to try to sell.
This was a game I’d wanted to design
for a long time, though I don;t know why. It was built
around the Battle of the Pyramids, and included
several other clashes between the French and
the Turks and/or Egyptian Mamelukes plus the
1785 Battle of Cairo between the Turks and
Mamelukes (not something you’ll find
in just any wargame!).
Invasion of Italy
Our very first game, Invasion of Italy
was a fairly intense simulation of the
Allied landings at Salerno in September 1943.
We tried to send it off in truly spectacular
fashion, by giving the final 300 copies a
true Viking Funeral. We were ready with the
permit, and had plans for a picture gallery
on the website of a couple hundred ugly brown
boxes going up in flames. The customers confounded us by snapping
them up instead to save them from a fiery
end. I was truly disappointed. They’re
probably pretty happy: it was a surprisingly
good game for a first effort and held up as
a design (though not graphically) for its
entire 12-year existence.
Second World War at Sea: Distant Oceans
The book supplement gave new scenarios for
all of the games then in print in the series,
but concentrated on what was then the newest
title, Bomb Alley. It has background
articles on Italian carrier programs, the
German helicopter carrier and the Royal Yugoslav
Navy. And scenarios for Eastern Fleet,
SOPAC and Midway for good measure. It lacked good focus and had its additional pieces printed on the back cover, a very poor substitute for actual physical ones. This book will never see a reprint.
Great War at Sea: U.S. Navy Plan Black
Plan Orange (see below) was a very
successful game for us, and so in 1999 we
made plans to release a companion game at
the same time as Great War at Sea: 1904
(also seen below). Plan Black was
initially offered only directly to consumers
from Avalanche Press, but heavy retail demand
eventually made us change those terms. Once it sold out we re-packaged the pieces in the Black Waters book (see above).
The game focuses on German and American plans
to fight a naval war in the Caribbean Sea
in the early 1920s, presuming a German victory
in the Great War. Each side’s plans
more or less mirrored the other’s, and
that made for a very nice set of scenarios.
While it’s been called an “alternate
history” game, I’ve never thought
of it that way since it’s based on actual
war plans. It is filled with ship designs
that were never launched, for both sides.
Panzer Grenadier: Tank Battles
Tank Battles represented a step in the evolution
of our current supplement line. It did not have its own die-cut
and mounted playing pieces, instead relying
on cut-and-paste pieces printed on the back
The book lacked a tight focus; most
of the book is devoted to new scenarios for Eastern
Front and the long out-of-print Heroes
of the Soviet Union. It also has historical
pieces on the Austrian Army of 1938 and German
Brian Knipple designed Red Parachutes
at my request as the follow-up to Invasion
of Italy. He had several other games set
in the Italian theater (the Anzio landings,
the Canadian battles around Ortona, every
Allied army taking a crack at Monte Cassino)
but I felt it best that the series next move
to the Eastern Front. I don’t think
that was necessarily a bad decision, but perhaps
we should have built a following by producing
related games. Given that we’ve sold
them all or I wouldn’t be writing this,
I guess it wasn’t a bad choice after
As a game, Red Parachutes is old-style
wargaming at its finest. Brian is an outstanding
designer of hard-core wargames, and this one
shows why. Whole rifle divisions disappear
in a single turn, nails are bitten, sweat
is shed, the outcome is constantly in doubt.
It was always a fairly expensive game, and
we produced a whole lot of them. I remember stacking cartons of this game in
my attic during the company’s earliest
days; seemed like they’d last forever.
Great War at Sea: U.S. Navy Plan Orange
The third game in this long-standing series, U.S. Navy Plan Orange won the 1998
Origins Award as Best Historical Wargame.
It’s based not on an actual war, but
on the actual war plans of the United States
and Japan for a naval war in 1930. Each side
has a collection of warships available at
the time, plus some of those cancelled by
the Washington Naval Treaties of 1922. Plan
Orange also introduced rules for aircraft
into the series, which became the basis for Second World War at Sea, and was noted for its American
Plan Orange went through three printings, and
also appeared in a Japanese-language edition.
Blood on the Snow
Though we’re noted for our naval games,
for a few years in the early days this
one was our best-selling wargame (though it
does not touch the numbers of some titles that came later). A small game covering
the epic battle of Suomussalmi in 1939-1940
between the Finns and Soviets, it included a motorized Soviet brass band unit. Blood on the Snow was a very
popular player’s game that we might
need to re-issue someday; the title's literary reference was wasted on everyone but William Sariego. But it has to get a better map; I've seen uglier ones but thankfully usually in games we didn't publish.
Our second game ever, this one lasted 11
years before the last copy went out the door.
It also appeared in a Japanese edition.
The subject is the 1944 American invasion
of Leyte in the Philippines, site of Douglas
MacArthur's famous “I have returned”
landing. It’s a tense game; despite
overwhelming American firepower, the Japanese
player can use the jungles to advantage, make
kamikaze attacks, and has a small parachute
unit that can land behind American lines.
We did better game pieces here than in our
first effort, but they don’t hold up
against more recent work. They were also made
with recycled cardboard that resembles pressed
nuclear waste. The map was by Mark Simonitch,
no doubt one of the last ruby-film creations
ever published. The box art is fairly dreadful;
one of my most joyous moments at Avalanche
Press came when we sold thousands of sets
of components to a Japanese partner and I
got to jump up and down on the excess boxes.
What made MacArthur a winner was the outstanding
game system; Brian Knipple designed it but
I used it myself in several other games. Each turn, the American
and Japanese players each select several “impulse
chits” detailing what their units can
do. “Full” is the best, and lets
units operate fully. They can also “Move”
or “Attack,” or pick a “Half”
chit which allows a limited combination of
The catch is that the Americans have more
and better chits, reflecting their superior
supply and command arrangements. The players
draw these chits several times to make up
a turn (the number of these "impulses"
varies with the weather), and it's possible
that one side (usually the Americans) will
get to operate several times while the other
only goes once. It’s an excellent means
to model asymmetric capabilities, and we’ll
no doubt use it in many more games in the
Survival of the Witless
Knowledge is Nothing. Tenure is Everything.
Our hottest-selling game was this card game
of the tenure process. It’s a brutal
game, where the most common card is “ass-kissing”
(to simulate the most common action in academia).
Three to eight players try to collect enough
writing cards and a contract to finish their
book, and enough influence with committee
members to win a tenure decision.
Design of the game helped defuse a lot of
pent-up rage, after I was released from my
teaching post for winning a teaching award.
Yes, you read that right. It made the other
professors unhappy, my department chairman
informed me, to have an untenured colleague
publicly elevated in such a fashion. He was
sure I’d understand. He would later be forcibly retired and now works as ... wait for it ... an adjunct. Perhaps there is a just God.
Both The New York Times and the
Chronicle of Higher Education profiled
the game, and that sparked huge sales through
non-game channels. The chairman of the blue-ribbon
panel reviewing the tenure system in Massachusetts
bought two dozen and handed them out to the
panelists, instructing them to play it. Several
universities adopted it as part of their graduate
student orientation, to display what sort
of life they might expect after receiving
their doctorates. And at least one case of
adultery was exposed through play of the “Seduction”
Second World War at Sea: SOPAC
With the success of Great War at Sea,
we looked to branch out into World War
II. The first release in this line, SOPAC,
came out in late 2000 after serious production
delays. It had hard-mounted game boards, and
covered naval and air action in the Solomon
SOPAC proved very popular and spawned
a whole new series. Fans loved it, except
for the one guy who sent me hate mail
for years because he believed someone promised him a
780-turn campaign game scenario.
to eventually replace SOPAC with
a new game featuring a full-sized map like
the other games in the series that will overlap
those from Strike
South. And we’d include new
game pieces to extend the scenarios into the
1943 actions in the Solomons.
Heroes of the Soviet Union
Our other flagship product line, Panzer
Grenadier, also debuted in 2000. The
first volume sold
out in 2003 and was replaced by Eastern
Front. The second game in the series,
Heroes of the Soviet Union, was a compromise product
from the start and I was never really satisfied
with it. A shortage of art resources led to
its limitation to one countersheet, and that
with very few new counter images. We gave
it two mounted gameboards.
Given those limitations, Brian Knipple came
up with quite a good package of scenarios.
But when the game was gone, we decided not
to reprint it.
This was one of our finest d20 roleplaying
supplements. When it was named a finalist
for an Origins Award for best artwork, one
of the other nominees cried in frustration.
"Have you seen the cover?" he gasped. "It has a girl pirate . . . a naked girl pirate!" He was, of course, Canadian.
Behind the cover lurked a pretty damned
fine pirate role-playing game. The book sold
out in less than six months, and Black
Flags remains one of our best product
concepts. Twilight of Atlantis
Another excellent Lorenzo Sperlonga cover,
with etraordinary detail (every one of those leaves has a unique vein structure) this time gracing Jim Li’s take on Atlantean
culture. The Atlanteans are way more than human, and pretty near immortal, though they have bitter enemies in the evil cat-people of Mu. And then there's the issue of keeping their island-continent from sinking. If that happens, then they have a problem. It’s a very fine supplement,
and it sold out pretty quickly.
Ragnarok was an Origins Award finalist
for artwork, for layout, and as a supplement. William Sariego, designer of our Western Desert Force boardgame, wrote this one.
It has a great system for playing minor Norse
gods, and runic magic. We liked it so much
that when it sold out, we produced an
expanded version as Viking
Age. The cover made us notorious; a retail store chain ordered up hundreds of store posters, then decided it was too hot to handle. An RPG review mag ran it on their cover, but added on some extra bands to hide that deadly underboob.
My personal favorite among the d20 line,
this was a sourcebook on the fringe of the
Norse world, the isolated colony of Greenland.
It also had an adventure where our heroes
try to find why the dysfunctional, inbred,
jealous and petty inhabitants of the frozen
wasteland keep disappearing. In other words,
it was an allegory for the wargame industry.
It was actually a good adventure, an Origins
Award finalist, and it sold out fairly quickly.
It appeared in German and Italian editions as well.
An outside submission, this came in needing
extensive surgery from our line manager, John
R. Phythyon Jr. The book contains a well-drawn
description of Camelot’s faded glory,
and has d20 stats for all of the tale’s
well-known characters. The centerpiece is
John Phythyon’s adventure, which looks at the Arthurian legend from the title character's perspective.
The cover is by Terry Moore Strickland, as
we experimented with some beefcake rather
than cheesecake. Quite the handsome model.
a pet project of our then-sales manager and
never quite seemed to take clear shape. It’s
not a settings book, but neither is it the
useful rules supplement it probably should
Noble Knights is probably our weakest
d20 supplement. As originally planned
this should have been a supplement to a Crusades
sourcebook, and the utter depravity of these
religious wars would have handled the demands
for noble actions. In that combination the
book would have been quite useful. It does have a great cover.
This had the
potential to be the best book we put out.
The real reason we published it was because
my daughter, then five years old, wanted to
know, “How come you never make books
A finalist for the 2002 Origins Award for
Best RPG Supplement, Noble Steeds never fulfilled its great promise. At a time when d20 books on stupid topics were appearing almost daily, we had truly filled a useful niche and failed to market the book very well.
Doom of Odin
Doom of Odin was John Phythyon’s
follow-up to our very successful Ragnarok
book. In the adventure portion,
our heroes must solve riddles and rescue a
princess from dwarven captivity.
Lorenzo continued his pattern of painting
strong women. A few Internet people snarked that our cover Valkyrie is not actually
about the loose her arrow as it’s on
the wrong side of the bow. But the rest of
the staff liked her; she’s a dead ringer
for a former employee (especially
For this module, we went back to Egypt’s
ancient pantheon of gods and Old Kingdom culture.
The book was a difficult project and needed
extensive surgery to bring it up to standard.
For the first time, Lorenzo used the model
who quickly became our favorite, Veronika
Kotjalich. An art gallery owner by day and
former Playboy NSS model, Veronika
is also capable of a seemingly infinite number
of looks. She’s also one of the nicest
people we’ve ever worked with.
All For One, One For All
Without question, this was the weakest product
in our d20 line. It has extensive rules for
sword combat, paramours and other aspects
of 17th century life. These are very good;
if they weren’t, we wouldn’t have
published them in our Black Flags book. The background needed even
heavier surgery than Nile Empire.
Lorenzo wanted to try another cover with
a male lead, with a sexy cover woman
relying more on expression and less on cleavage.
It’s a good piece, and the fact that
he finished it ahead of deadline is the biggest
reason this book wasn’t simply spiked.
Our last d20 book, and felt by many
to be our best. Conceived as a companion to Celtic
Age, it was also meant to
bring the campaign rules of Ragnarok
back into print.
Viking Age covered all aspects of
Viking society, with great detail on their
weapons, ways of war, everyday life, marriage
rules, laws and more. There are two systems
of magic detailed, including the creepy Norse
dream magic. There’s also ritual sex,
and that was damned fun to playtest.
Diana Knight, who’s modeled extensively
for comics and is the official spokesmodel
for the Las Vegas Fetish & Fantasy Ball,
is the cover model. Painting is again by Lorenzo
Vlad, the Impaler
Age won the Origins Award as Best
RPG Supplement of 2002, I’ve always
been partial to Vlad the Impaler as
the best piece in our RPG line. Of course,
I wrote it myself, but out of hundreds of
publications over the years, this is one of
the handful of which I’m most proud.
It was very satisfying both as a work of history
and as a game book.
The background is disturbing, and it was
meant to be. This is the real Vlad the Impaler,
and Wallachia was a cruel place. Much of the
background was based on Romanian-language
sources and a number of primary documents.
We received a fair amount of criticism for
the unvarnished look at evil, but we never
intended the book for children. A finalist
for the 2002 Origins Awards in two separate
categories, we were pleased that other professionals
recognized what we were trying to say.
The front cover, by Lorenzo Sperlonga, is
a disturbing piece of evil. The back cover
is by Terry Moore Strickland, another disturbing
piece as the devil birds of the Balkans, the
vukodlak, feast on the dead.
There were also numerous pieces from the
Romanian National Museum in Bucharest, images
I obtained in the early 1980s. A number of
these were destroyed during the 1989 uprising
that rid Romania of the modern Vlad, Nicolae
Ceausescu. Many have never been published
Endless Sands veered away somewhat from our
historical/mythological bent to pursue an
Arab-influenced desert setting. I was concerned
that this book hold a respectful view of Islam,
and that was handled well with the fantasy religion of the Endless Sands.
The cover painting features the exquisite Veronika Kotjalich as the standing model. The fallen woman is an original
composition by Lorenzo.
Aztecs: Empire of the Dying Sun
This one was a straight historical take on
the Aztec Empire. It tells of their culture
from their own viewpoint, and puts human sacrifice
into an actual logical context.
The cover model once again is the lovely
Veronika. The background might be Lorenzo’s
best. I’ve never liked the painting
of Veronika as well as some of the others,
but it had a determined following who placed
it at the top of Lorenzo’s portfolio.